We humans have been scribbling up on walls since we have existed. Such examples would be the 30,000-year-old cave art found in the Chauvet Cave in southern France, the equally old Aboriginal rock art in Wunnumurra Gorge, or the sober ramblings on a tavern wall in Pompeii from a chap not happy with the publican's brew:
"Landlord, may your lies malign
Bring destruction on your head!
You yourself drink unmixed wine,
Water [do you] sell [to] your guests instead."
Graffiti has provided much insight for archaeologists into ancient life. So much so archaeologists have their own word, 'Graffito' meaning:
An ancient drawing or writing scratched on a wall or other surface
(usually without permission and within public view).
So graffiti is inherent in all human cultures, but the graffiti we know today started in New York in the late 1960s. The movement was known as 'writing', and it started with kids writing their names on walls and trains. It turned into a game of who could be 'up' the most. As writing became more popular, writers had to become more creative with their designs to get noticed.
Tags evolved in style and moved from street walls onto the inside and outside of trains. Writers could send their names to every suburb of New York City via the subway trains.
One of the earliest pioneers was Taki 183. Taki was the shortened version of his Greek Christian name, and 183 was his street number. Other famous first-generation writers include 'Phase 2', and 'Futura 2000', some of the first to push creativity into writing.
Tags evolved from names on walls into massive, multicoloured masterpieces with thick letters with outlines and decorations that became known as 'pieces'.
Writers had the perfect space for putting up a piece – on the outer panels of trains. Some writers chose to paint tags or pieces or both. It was all about being 'up' getting your name seen, be it in the form of tags or pieces. Fame came from getting up.
Before rappers earned fame busting rhymes at local jams, writers were the celebrities of the ghetto and on the street. In the early days of graffiti, writers had groupies and crazy stories attached to their tag's legend.
In the 1970s, writers started using highlights and shadows on the lettering to create three-dimensional effects on their pieces. Through this period, the graffiti style developed and evolved, and along with pieces, characters appeared. Cartoon style characters provided a way for writers to stand out from others.
No history of graffiti would be complete without the mention of American underground comic artist Vaughn Bode. His cartoon style was and still is very popular among graffiti artists. His wacky out of this world characters Puck and Cheech Wizard can be found on thousands of walls worldwide.
The movement of train writing and getting up continued on strong through the 70s, 80s and 90s. The graffiti sub-culture spread to nearly all major cities in the Western world. One of the core reasons for its worldwide adoption came from a book called 'Subway Art'. The book was created by two New York photographers, and it documented the NYC train scene for years and would become a bible for writers all over the planet.
In the early 1990s, New York was suffering from a rampant crime wave. Murders, burglaries, drug deals, grand theft auto and gang violence, consumed the city, making it an unsafe and unpleasant place to live. Major Rudolph Giuliani understood the city's pent-up demand for public order, cracking down on crime, and pledging to clean up the graffiti on the subway system. The crackdown signalled the end of an era, but by then, the graffiti subculture had spread worldwide and is as popular today as it ever was.
Having a good 'handstyle' is the first achievement for a graffiti artist. Tag letters show your style and who you are. Remember tags are just names, designed to be put up fast and at volume. How your tag is executed needs to be thought out and perfected.
Modern handstyles have evolved into something called Calligraffiti - a combination of tagging and calligraphy. The tag has also evolved in a similar script style that some artists solely specialise in.
Today graffiti pieces are genuine pieces of art consisting of crazy unique styles from abstract to photorealism. Despite the plethora of styles, the principles of a piece have remained the same since it all began.
Today, graffiti artists use light, perspective and intense, realistic detail to create illusions of space and shape. While the traditional 'b-boy' style characters of the 80s are still popular, photorealism has been the main change to character design in the modern era.
Today it is hard to tell the difference between traditional murals and modern street art. Sometimes a piece can have no letters and just be a character or a setting, colours or shapes blending into a familiar scene that triggers an emotion, similar to all art, But the artist still signs their name.
Before the internet, graffiti writers had pen-pals in which they exchanged sketches and photos of street art in their local area. When Subway Art was published in 1984 by Martha Cooper and Henry Chalfant, the street art scene exploded rapidly around the globe. Shortly after, in 1987, Henry Chalfant with James Prigoff went on to publish Spray Can Art that was equally as popular.
Other fantastic, more recent publications include Kings Way, published in 2009 by Duro Cabrillo, Martin Harvey, and Karl Stamer and Wildfire, published in 2021 by David Houston, that celebrate and document the history of graffiti in Australia.
Today, with the evolution of social media, Instagram has become the world's largest public gallery of street art and the place for artists worldwide to connect, share, and be inspired.